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Following Eight Immortals to Penglai, one just needs 48 hours to make all wishes come true_我的网站

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Visitors at the Eight Immortals Crossing the Sea scenic area in Yantai, Shandong Province Photo: VCG
I first watched the movie
All Wishes Come True on a sweltering evening in Beijing, the kind of night when the city's heat presses against the windows and the air-conditioning struggles.
The comedy, widely considered one of the best-reviewed Chinese animated features of the 2026 summer season, unspooled its turquoise landscapes and bureaucratic immortals with a lightness that belied the depth of its source material. By the time the credits rolled, I found myself less interested in the characters' KPI struggles than in the place they called home: Penglai - the northern tip of the Shandong Peninsula in East China, where myth and shoreline have shared the same address for more than 1,000 years.
By one Saturday morning, I was on a high-speed train heading east from Beijing, the film still playing in my head. "Don't ask where they came from," the movie's quiet refrain goes, "only where they are going; don't ask about gains or losses, only about right or wrong." It felt like decent travel advice.

A colorful 3D relief depicts the classic Chinese mythological legend 'The Eight Immortals Crossing the Sea' at the Penglai Pavilion scenic area Photo: Xu Liuliu/GT
Fairyland of the mortal worldStepping off the train, Penglai announced itself gradually. The air cooled. The sea appeared, first with shimmering light, then as a broad, restless presence. The average temperature here sits at around 12.5 degrees Celsius for the whole year; winters refuse to freeze the spirit, summers decline to scorch it. Locals call the place "the fairyland of the mortal world," and for once the slogan does not feel like municipal overreach.
I began, as most pilgrims do, at Penglai Pavilion. The Song-dynasty (960-1279) complex rises from a cliff as if the rock itself had decided to become architecture. It is the only seaside member of China's four great ancient towers, and the only one that smells of salt. From its highest platform the Yellow and Bohai Seas meet in a visible seam of color, two blues arguing politely about territory. Legend insists the Eight Immortals gathered here, drank too well, and then crossed the water by their various supernatural means. Standing in the same spot, I could almost hear the clink of chalices.
The pavilion is not a museum of relics so much as a working stage for memory. The hall of Lü Dongbin, one of the Eight Immortals, still receives incense. Stone tablets carved with poems by generations of visitors lean against one another like old friends. In the afternoons, costumed performers - local "NPCs" of the Eight Immortals - wander the stone paths, joking with tourists, offering blessings, occasionally breaking into song. Children chase a character carrying a flower basket; adults pose solemnly beside Tieguai Li. The boundary between screen and shore softens.
One of the locals, who grew up within sight of the pavilion, told me this was the season for haishi - the mirages that have made Penglai famous for centuries. Sea mirages, sea mists, and horizontal fog form the three maritime wonders here, appearing without schedule and vanishing just as quickly. I waited an hour and alas saw only ordinary clouds. Still, the sense of possibility felt sufficiently satisfying.
Across the water lies the Eight Immortals Cross the Sea scenic area, laid out in the shape of a giant gourd - Tieguai Li's preferred vessel. From the highest pavilion the gardens, pavilions, and sculpted figures form a coherent narrative of ascent and departure. Wandering in the area, you will see that the water is calm, the sky the exact shade of celadon used by the animators. It was easy to understand why story-tellers kept returning to this stretch of coast: the landscape itself seems to invite transformation.
Penglai is not only myth. The old water city, China's best-preserved ancient naval base, still holds the outlines of docks where warships once waited. Nearby stand the memorials to Qi Jiguang, the Ming Dynasty (1368-1644) general who defended these shores against Japanese pirates.
The same peninsula that dreams of immortals also remembers the hard work of keeping the sea lanes open. The film's protagonists, for all their comic incompetence, share a stubborn sense of duty toward the human world. Standing among the fortifications, I felt the two strains of the place - celestial and martial - settle into balance.

The iconic memorial archway 'Penglai on Earth' at the Penglai Pavilion Scenic Area in Yantai, Shandong Province Photo: Xu Liuliu/GT
Banquet from seaFood here is another kind of story-telling. At a small restaurant in the city I ordered Penglai noodles, thin and springy, swimming in a broth that tasted of the morning's catch. Later came an "Eight Immortals banquet," each dish inspired by one of the legendary figures: a crisp fish for the crossing, a fragrant wine for the celebration afterward. The wines themselves deserve attention. Penglai sits on the same latitude as some of the world's great vineyards.
In the late afternoon light, the grapes looked almost black, and the air smelled of sea and oak. A glass of local wine, tasted on a terrace overlooking the water, carried a mineral edge that felt like the peninsula distilled.
Evenings belong to the streets. On Xianjie or Immortal Street, lights come on early. Vendors sell souvenirs of the Eight Immortals' magic instruments, small wooden crutches, fans, flower baskets. Musicians play, children run between stalls, and the smell of grilled seafood mixes with the cooler night air. It is ordinary Chinese night-market life, elevated by the knowledge that the stories being sold have been circulating for a millennium.
I spent my last morning climbing Laobeishan or Tianheng Mountain to the precise point where the two seas divide. The water on one side was a deeper yellow, on the other a clearer blue. Tourists took photographs, capturing the magical sight of the water's two different colors.
Penglai is much more than what is portrayed in the movie. The cliffs, the pavilion, the mirages, and the slow accumulation of legend were here long before any animator arrived. Yet the film has done what good popular art sometimes does: it has given a new generation a reason to look again. Walking back down the mountain that morning, I kept thinking of the line about not asking about origins, only about destinations.
Penglai's destiny, it seems, is simply to remain itself - half myth, half working harbor - while the rest of us keep arriving, notebooks open, cameras ready, half expecting to see haishi.
。 8月26日讯 勒沃库森中场新星易卜拉欣·马扎近日接受了《图片报》专访,谈及代表阿尔及利亚征战世界杯的感受以及自己在勒沃库森的发展前景。你在效力勒沃库森的首个赛季就被球迷评为队内赛季最佳球员,对此你有何感想?能够被球迷认可我感到非常开心并心存感激,但如果可以的话,我宁可不要这个奖项,换取球队达成赛季目标。

B | 我们队在新赛季的目标就是杀进欧冠,为此将付出100%的努力。过去的一年对你意义非凡,从德乙柏林赫塔转会而来就立刻坐稳勒沃库森主力位置,又代表阿尔及利亚队征战了世界杯,你会如何形容这一年?我会说:疯狂而充满激情,更兼具五味杂陈。我获得了大量的出场时间,对于个人成长而言,这是无比美妙的一年。你在阿尔及利亚队的4场比赛中全部首发出场,世界杯初体验感受如何?世界杯是全世界最高规格的赛事,能够亲身站上这个舞台,还踢满4场比赛,这是难以置信的体验,这一生都不会忘记。如何看待阿尔及利亚球迷对你的极度追捧?有时会感觉站在聚光灯下也是一件好事,因为这会激励我不断精进自己。有些人或许很难适应这种关注度,容易变得飘飘然,但我会理性看待球迷们对我的喜爱,不会因此产生错误的自我认知。我只想好好踢球,踏实做好自己的事。

C | 此前你一直代表德国青年队出战,但在成年队阶段选择了父亲的祖国阿尔及利亚,如今克洛普成为德国队新任主帅,你是否会遗憾未能在其麾下效力?我从未后悔自己作出的决定,我很高兴能为阿尔及利亚效力,这是一种荣幸,我热爱这个国家。当然,我也同样热爱德国。如果能允许我这么称呼他的话,我认为克洛普是一位不可思议的主帅,德国队也是一支不可思议的球队。只要队伍完成磨合,主教练把一众高水平球员捏合在一起,德国完全有能力重新成为世界足球强国。世界杯前,马德里竞技曾对您表现出兴趣,俱乐部体育主管罗尔费斯当时表示您是非卖品,这表态是否让您倍感自豪?这种感觉很棒,说明勒沃库森十分认可我的价值。我能够真切感受到俱乐部的充分信任,这会进一步给予我自信与前进的动力。继滕哈赫、尤尔曼之后,卡莱斯·马丁内斯是你在勒沃库森迎来的第三位主教练,他有什么特点?他是一个情绪饱满的人,全身心投入比赛,在场边十分活跃,并且格外看重细节,这是他的特点。

D | 他致力于让我们踢出漂亮足球,这点让我们都很喜欢。他是一名优秀的教练,还能带给我们很多提升。
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